#Dion palmer musition free#

Tam Chi Chun, the artistic director of Macau Experimental Theatre, directs. Njo Kong Kie conducts the singers and percussionist Yukie Lai from the piano in an eclectic score that ranges from Peking opera to traditional folk song, music hall, pop music, Western opera and the art song. This story is the basis for David Henry Hwang’s 1988 play M. Amazingly, Boursicot and Shi’s relationship continued for 20 years without Boursicot ever realizing Shi was a man, much less a spy recruited to entrap him. Boursicot, a young French diplomat stationed in China in 1964, fell in love with Shi Pei Pu, a male performer of the Peking Opera specializing in female roles, believing that Shi was actually a woman. Shi and Bernard Boursicot, reflect on the the strange but true story of their relationship. Shi is made up of seven scenes in which two characters, Mr. In the new year it plays at the NAC in Ottawa from January 3 to 13. Shi and His Lover, a one-act work by Njo Kong Kie that runs in Toronto until December 17. Tarragon Theatre, another non-traditional showcase for opera, is presenting Mr. The cast includes Thom Allison, Holly Chaplin, Gabi Epstein, Mike Nadajewski and Michael Torontow Richard Ouzounian directs and Lily Ling conducts.

#Dion palmer musition free#

The second takes place at a non-traditional operatic showcase, Talk Is Free Theatre in Barrie, which is in the process of presenting the Bernstein work in a run from November 23 to December 2. Talk Is Free Theatre: This is likely the first time ever that a person can see two different productions of Candide in Ontario in the same month. Derek Bate conducts and Guillermo Silva-Marin directs. Candide runs for six performances from December 28 to January 7. Pangloss, Cian Horrobin is the Governor and Mikhail Shemet is Cacambo. TOT favourite Elizabeth Beeler sings the Old Lady, Nicholas Borg is Dr. Tonatiuh Abrego takes on the title role, while Vania Chan stars as his beloved Cunegonde and sings the show-stopping coloratura aria Glitter and Be Gay. This belief is sorely tested when Candide barely survives one disaster after another. This year it revives its production of Leonard Bernstein’s Candide (1956), last staged here in 2007, which the composer himself designated as an “operetta.” The work follows the adventures of the eternal optimist Candide, whose tutor has taught him to believe that this is the best of all possible worlds.

Toronto Operetta Theatre has been helping Torontonians bridge the old and the new years with operetta for more than 30 years. The opera, suitable for ages five and over, is performed by members of the COC Ensemble Studio and is directed by Ashlie Corcoran, with music direction by Rachael Kerr and Stéphane Mayer. The hour-long show includes well-known excerpts from The Marriage of Figaro, The Magic Flute, The Tales of Hoffmann, The Elixir of Love, Lakmé, Gianni Schicchi and Carmen. The grandfather has a Victrola and a set of opera recordings the children find when they play the records that the characters come alive. In the opera, written by David Kersnar and Jacqueline Russell, two children stay at their grandfather’s place for the summer vacation. The opera also has a Chicago connection in that it was premiered by the LOC in 2015. On a much lighter note, the COC has invited the public to see a new opera for children, The Magic Victrola, on December 1, 2 and 3. In any case, the COC has revived the unrevivable and it features Roland Wood in the title role, Anna Christy as Rigoletto’s daughter Gilda, Stephen Costello and Joshua Guerrero (February 11, 17, 23) as the depraved Duke of Mantua, and Goderdzi Janelidze as the assassin Sparafucile. When the COC and English National Opera approached Alden for a Rigoletto, he simply re-created the one he had done for Chicago. After its unpopular run at LOC, the production was deemed “unrevivable” and LOC now has a popular new production directed by E. The various locations in the libretto are acted out using furniture from the club, the danger being that if people do not already know the story the staging provides no clues to help them. The action is set entirely inside a gentlemen’s gaming club in the early 1850s with the chorus onstage throughout the action. There is some controversy attached to the production, since Alden had previously created it for Lyric Opera of Chicago in 2000. The production, directed by Christopher Alden, was last seen in 2011. Now there are so many new small companies that there is quite a wide range of offerings available to see out the old year and see in the new.ĬOC: That being said, the production on the largest scale in these two months is the Canadian Opera Company’s remount of Verdi’s Rigoletto for ten performances from January 20 to February 23. It used to be that the only operatic productions that took place in December and January were from the Canadian Opera Company and Toronto Operetta Theatre.

Reviving the Unrevivable and Ringing in the New